How to get your podcast artwork onto iTunes

If you’re having  a problem getting your podcast image to display properly on iTunes ,  I found a link to a video tutorial that might be helpful. The video was created in 2012 when the minimum size of an image for your podcast needed to be 600 x 600 pixels. iTunes has now changed the minimum size to 1400 x 1400  — with a maximum size of 3000 x 3000 pixels. 

Here is the link to the video that you may find helpful: http://www.incomepress.com/podcast-image-artwork-itunes 

And here is the link (which you may already have seen) to iTunes specifications: https://help.apple.com/itc/podcasts_connect/#/itc1723472cb 

We’ve used various stock photo websites through the years  for images. I like Adobe’s library. It’s not free, but it vast and fairly reasonable.  

I hope this helps you prepare your podcast artwork for iTunes. If you need help with the editing and enhancing of your podcast, or you want a cool intro and outro, we hope you’ll check us out at Audiobag.

How to remove a spike (crackle or pop) noise in your podcast

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I was listening to a podcast the other day on one of my late afternoon walks (yes, we can take walks in the middle of winter here in Central Texas), and I was amazed that the podcast had an annoying spike noise throughout the show. I contacted the podcaster and offered up some quick advice on how to easily remove the noise. I thought I’d pass it along here as well.

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How to have a cleaner sounding phone interview

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Actual screenshot of the audio samples in this post. Notice how the guest’s volume is much louder (in fact, it’s overmodulated) than the interviewer’s volume.

When recording a phone interview for your podcast, one of the smartest things you can do is to put your microphone source (that’s you) on one track of your recording (track one), and your phone input source (your guest) on another track (for example, track two). Feed track one to the left channel recording input in your recording software program, and feed  track two to the right channel recording input. In other words, you’ll be on the left channel and your guest will be on the right channel of a stereo recording. That way, if your guest makes unwanted noise while you’re speaking, you or your audio engineer can mute your guest’s recorded track in post production (and vice versa in case you make unwanted noise).Let’s listen to a before and after example of what I’m talking about.

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How to write a script for an audio or video presentation

We often receive script at Audiobag that just needs a tiny bit of tweaking before we go into our sound booth to record it. We don’t mind editing it. In fact, it’s our job to help our customers sound their best. So we look over the script, change a word here or there if necessary, get our customer’s approval on any major changes, and then we head into the room that’s so quiet it actually hurts our ears (okay, I’m exaggerating).

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