It’s really quite simple. We got into editing video because when enhancing the audio in videos customers sent to us, we noticed that the video also needed attention. It was too dark, too light, blurry, and often had verbal flubs — all of which could be repaired.
Audio is often the weakest part of a video, so make sure whoever does the post-production work on your video is an audio expert. We find it often the case that the people speaking on camera are not mic’d properly because the microphone is several feet away on the camera or smartphone. This not only creates low volume, it also produces a hollow sound and room noise (hiss). So the best advice we can give you is to use a boom mic or lapel mics.
If you’re a podcaster and you’re not quite sure what settings you should use for recording your show, I can shed some light on that for you. First, if you’re recording just your own voice, you only need to record in monaural (no need for a stereo track). If you’re recording yourself and a guest, use two microphones and a separate track for you and a separate track for your guest if possible. Having two separate tracks makes it easier to mute each track when the other person is talking — knocking out thumps and paper shuffling. Now let’s move on to what sampling rate you should use.
Radio imaging can make or break a station. If your voice talent sounds confident and in control, your station will sound professional. If your voice talent sounds weak, you’ll sound amateurish. If there are too many zaps, lasers, and explosions in your radio sweepers, you’ll sound annoying. If you use rock music in your sweepers on a country station, you’ll sound like you don’t know your target audience. And if you say the same things other stations say in their liners, you’re plagiarizing.
If you’re having a problem getting your podcast image to display properly on iTunes , I found a link to a video tutorial that might be helpful. The video was created in 2012 when the minimum size of an image for your podcast needed to be 600 x 600 pixels. iTunes has now changed the minimum size to 1400 x 1400 — with a maximum size of 3000 x 3000 pixels.
We’ve used various stock photo websites through the years for images. I like Adobe’s library. It’s not free, but it vast and fairly reasonable.
I hope this helps you prepare your podcast artwork for iTunes. If you need help with the editing and enhancing of your podcast, or you want a cool intro and outro, we hope you’ll check us out at Audiobag.
I was listening to a podcast the other day on one of my late afternoon walks (yes, we can take walks in the middle of winter here in Central Texas), and I was amazed that the podcast had an annoying spike noise throughout the show. I contacted the podcaster and offered up some quick advice on how to easily remove the noise. I thought I’d pass it along here as well.
When recording a phone interview for your podcast, one of the smartest things you can do is to put your microphone source (that’s you) on one track of your recording (track one), and your phone input source (your guest) on another track (for example, track two). Feed track one to the left channel recording input in your recording software program, and feed track two to the right channel recording input. In other words, you’ll be on the left channel and your guest will be on the right channel of a stereo recording. That way, if your guest makes unwanted noise while you’re speaking, you or your audio engineer can mute your guest’s recorded track in post production (and vice versa in case you make unwanted noise).Let’s listen to a before and after example of what I’m talking about.
We’ve edited and enhanced many podcasts through the years and the biggest problem we hear in the recordings we enhance is the lack of good room acoustics. “Room acoustics” is simply how the room sounds once you turn on your microphone and start talking. Most podcasters don’t realize one very simple trick will drastically improve the sound of their podcast.
We often receive script at Audiobag that just needs a tiny bit of tweaking before we go into our sound booth to record it. We don’t mind editing it. In fact, it’s our job to help our customers sound their best. So we look over the script, change a word here or there if necessary, get our customer’s approval on any major changes, and then we head into the room that’s so quiet it actually hurts our ears (okay, I’m exaggerating).